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  • In Shakespeare's The Tempest, Prospero, Duke of Milan, is ousted by his brother and exiled to an island. With the help of a friend, Prospero manages to take with him his beloved library.

    Prospero, like his creator, lived in a time when boundaries between disciplines were not as rigid as they are today. Prospero's books would have dealt with the cosmos—spiritual and material, inner and outer—as a whole.

    In this blog, I try to do the same. I'm not Prospero, just a student rummaging through his library and writing in the margins. Prospero's Books is a blog about seeing the world as a whole, by looking at

    • signs, especially the relationships between signifiers and what they signify
    • stories, especially big-picture stories, such as myths and the works of Dante, Shakespeare, and Joyce
    • systems, especially complex, nonlinear systems
    • spirit, especially as understood by the Christian and Western esoteric traditions

    Welcome! Please join the conversation.

    —Kenneth W. Davis

    (Note: Although I admire Peter Greenaway's film Prospero's Books, this blog is not directly about that film. )

    Who, and Some of What, I Am

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31 May 2006

Time, thou must untangle this

Watch_from_wikipedia In his little book on Jung (see What I've Been Reading), Anthony Stevens quotes Jung on the function of time in the therapy process:

The psychoanalyst thinks he must see his patient for an hour a day for months on end; I manage in difficult cases with three or four sittings a week. As a rule I content myself with two, and once the patient has got going, he is reduced to one. . . . In addition, I break off the threatment every ten weeks or so. . . . In such a procedure time can take effect as a healing factor (132-33).

Jung's optimism about the healing power of time reminds me of the contrast between the ways Shakespeare's tragic and comic heroes view time. For Hamlet, "the time is out of joint" (Hamlet 1, 5, 206), and for Macbeth, time's arrow points only toward meaninglessness:

Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death (Macbeth 5, 5, 20-24).

In the comedy Twelfth Night, Viola—one of Shakespeare's delightful cross-dressing trickster heroines—takes a very different view of time:

What will become of this? As I am man,
My state is desperate for my master's love.
As I am woman (now alas the day!),
What thriftless sighs shall poor Olivia breathe?
O Time, thou must untangle this, not I;
It is too hard a knot for me t' untie (2, 2, 34-38).

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