About this blog

  • In Shakespeare's The Tempest, Prospero, Duke of Milan, is ousted by his brother and exiled to an island. With the help of a friend, Prospero manages to take with him his beloved library.

    Prospero, like his creator, lived in a time when boundaries between disciplines were not as rigid as they are today. Prospero's books would have dealt with the cosmos—spiritual and material, inner and outer—as a whole.

    In this blog, I try to do the same. I'm not Prospero, just a student rummaging through his library and writing in the margins. Prospero's Books is a blog about seeing the world as a whole, by looking at

    • signs, especially the relationships between signifiers and what they signify
    • stories, especially big-picture stories, such as myths and the works of Dante, Shakespeare, and Joyce
    • systems, especially complex, nonlinear systems
    • spirit, especially as understood by the Christian and Western esoteric traditions

    Welcome! Please join the conversation.

    —Kenneth W. Davis

    (Note: Although I admire Peter Greenaway's film Prospero's Books, this blog is not directly about that film. )

    Who, and Some of What, I Am

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10 May 2007

Stones left to find your way back

Quran_from_wikipedia_2 My museum and library visits in London this week had a theme, but one I didn't recognize until the trip was over.

  • At the British Museum, I found myself drawn to the ways ancient cultures, especially Greek culture, represented their gods in stone.
  • At the new British Library (a stunning building), I lingered over a special exhibition called "The Sacred," a collection of early texts of the three great monotheistic religions.
  • And at the Library and Museum of Freemasonry, I marveled at the richness of three hundred years of the Craft's imagery.

This theme didn't jump out at me until I read a quotation from architect Louis I. Kahn (see my immediately previous post):

Symbols are gentle reminders. They are stones left to find your way back to where you want to go back to.

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