About this blog

  • In Shakespeare's The Tempest, Prospero, Duke of Milan, is ousted by his brother and exiled to an island. With the help of a friend, Prospero manages to take with him his beloved library.

    Prospero, like his creator, lived in a time when boundaries between disciplines were not as rigid as they are today. Prospero's books would have dealt with the cosmos—spiritual and material, inner and outer—as a whole.

    In this blog, I try to do the same. I'm not Prospero, just a student rummaging through his library and writing in the margins. Prospero's Books is a blog about seeing the world as a whole, by looking at

    • signs, especially the relationships between signifiers and what they signify
    • stories, especially big-picture stories, such as myths and the works of Dante, Shakespeare, and Joyce
    • systems, especially complex, nonlinear systems
    • spirit, especially as understood by the Christian and Western esoteric traditions

    Welcome! Please join the conversation.

    —Kenneth W. Davis

    (Note: Although I admire Peter Greenaway's film Prospero's Books, this blog is not directly about that film. )

    Who, and Some of What, I Am

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23 July 2007

A life-shape reconfigured

Poster_from_wikipedia Last week, I was pleased to find in Philip Davis's Shakespeare Thinking (see What I've Been Reading, in the right column) the juxtaposition of two of the major themes of this blog--Shakespeare's work, and theories of complex, nonlinear systems:

Shakespeare seems intuitively to love what these days we would call a Mandelbrot fractal: a generated self-symmetry working through varied recursion, like the two sets of twins in A Comedy of Errors or the two sets of lovers in A Midsummer Night's Dream; a life-shape reconfigured within ever smaller sub-divisions of itself; a part thus containing within itself almost to bursting-point the fundamental pattern of its larger whole (17).

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