This Great Love
Today is the 800th birthday of the Sufi poet Rumi. In honor of the day, Beliefnet has posted a visual and musical meditation, "This Great Love," using Rumi's words. I think you will like it.
In Shakespeare's The Tempest, Prospero, Duke of Milan, is ousted by his brother and exiled to an island. With the help of a friend, Prospero manages to take with him his beloved library.
Prospero, like his creator, lived in a time when boundaries between disciplines were not as rigid as they are today. Prospero's books would have dealt with the cosmos—spiritual and material, inner and outer—as a whole.
In this blog, I try to do the same. I'm not Prospero, just a student rummaging through his library and writing in the margins. Prospero's Books is a blog about seeing the world as a whole, by looking at
Welcome! Please join the conversation.
—Kenneth W. Davis
(Note: Although I admire Peter Greenaway's film Prospero's Books, this blog is not directly about that film. )
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Today is the 800th birthday of the Sufi poet Rumi. In honor of the day, Beliefnet has posted a visual and musical meditation, "This Great Love," using Rumi's words. I think you will like it.
The Cosmic Evolution Survey has produced a map of the "dark matter" of the universe. And Maggie Whitlin, at Seed magazine, has produced a beautiful essay that illuminates the map for me. Here are a couple of samples:
In one sense, the image is categorically sublime. Scientists have taken something that cannot be seen, and they've let us see it. They've not only increased our knowledge of the large-scale structure of dark matter, they've also taken something inherently invisible and given it an accessible beauty. . . .
When science presents us with an image of dark matter, of electron orbitals, of general relativity, of anything fundamentally unseeable, it teases us. The visual draws us in with its incredible elegance; it lets us think for just a moment that the secrets of the universe are spread out before our eyes. And then, as we start to read the text that inevitably accompanies the picture, it hits us: Our eyes will never be as big as our science. Our visual system is the best source of intuitive information, the kind of stuff that we need to survive, but it gives us only a shadow of the greater world.
The September-October 2007 issue of Science & Spirit includes an interesting brief essay by Francis S. Collins, director of the Human Genome Project and author of The Language of God. In the essay, Collins calls for a "theology of celebration," in which people with a wide range of beliefs about God can join in celebrating the wonder of existence. He writes
Despite their claims to hard-nosed objectivity, atheists have gone wildly outside the evidence by declaring God imaginary. They are proposing an impoverished perspective that will not satisfy most of their intended converts. For their part, fundamentalists who demand acceptance of a unilateral interpretation of Genesis are making that a litmus test for true faith, which wise theologians over the centuries have not found necessary.
Could we not step back from the unloving rhetoric of these entrenched positions and seek a new path towards truth? If science is a way of uncovering the details of God's creation, then it may actually be a form of worship. Did not God, in giving us the intelligence to ask and answer questions about nature, expect us to use it? We should be able to learn about God in the laboratory as well as in the cathedral. (66)
Duane, at Shakespeare Geek, has posted a link to a fascinating map of Shakespearean characters based on the iconic London Underground map. The map carries the Royal Shakespeare Company logo, but I haven't been able to find it on the RSC site.
At Theatre Notes, Alison Croggon has posted an extraordinary review of Peter Brook's 1971 film of King Lear. Here's an excerpt:
Watching King Lear now is a different experience from watching it when it was made: our world has changed since 1971. But this film illustrates Ezra Pound's truism that art is "news that stays news". Perhaps what is most shocking about Brook's film - and it remains shocking - is how profoundly it galvanises our present. Gloucester is a prisoner in Abu Ghraib; Lear is a bereaved father in Chechnya or Lebanon. The loss, the grief, the cruelty and the love are all of our own time.
(Thanks to Shakespeare Geek for the tip.)
My friend Karmen, at Chaotic Utopia, has posted, as last week's Friday Fractal, a beautiful piece inspired by both the autumnal equinox and ancient Celtic art, especially the "Celtic knot." Be sure to see it both still and animated.
“In times of change, learners inherit the earth, while the learned find
themselves beautifully equipped to deal with a world that no longer
exists.” — Eric Hoffer
(Thanks to Donna Woodka at Changing Places for the quote.)
Tim Boucher at Pop Occulture writes
Been reading Epictetus lately, who is absolutely awesome and worth reading. Never heard this before, but apparently students of philosophy in Antiquity used to take notes during the day on wax tablets, which they would then melt down at night. Obviously, this is partly a practical issue if you don’t have paper. But it seems to go much deeper than that, making a statement about the nature of a student’s relationship to knowledge. That is, while you’re learning, your understanding of a subject is being developed. It is not, by any means, final or mature. The act of melting down the wax tablets containing one’s notes on philosophy trains you to detach yourself from your own interpretations and to continually seek the truth.
In his always gorgeous style, Chet Raymo writes:
Walking is the one thing that connects us to the deep past. Food, drink, clothing, shelter, sex, childbirth have all been transformed by technology, mostly for the better. But when we walk, we might as well be on the savannas of East Africa two million years ago. . . .
And later:
I'd rather think of walking as a spiritual activity. It has nothing to do with keeping the body fit, although that may be a convenient side effect. Walking is a time for the natural rhythms of the organism to assert themselves -- limbs, breath, heartbeat, thought -- a smoothly functioning unity honed by natural selection at a time when we were still a part of the natural world, not masters of it.
Every two weeks, a language dies. So says the Enduring Voices project, a group whose mission is to
When a language dies, so dies a way of seeing, and thinking about, the world. And right now the world needs all the viewpoints it can get.
Harriett Hawkins: Strange Attractors: Literature, Culture and Chaos Theory
A powerful, fascinating book on the relationships between systems and stories. By page 75 I've already filled two pages with "marginal" notes.
Mary Swander: The Desert Pilgrim: En Route to Mysticism and Miracles
A fellow Iowan's gorgeously written account of her search for healing in the American Southwest.
Michael Frayn: The Human Touch: Our Part in the Creation of a Universe
The playwright and novelist on the role of human beings in the cosmos.
Philip Davis: Shakespeare Thinking
A fascinating new look at Shakespeare's language, focusing on "the almost physical effect Shakespeare has upon mind at its most primary level of excited existence."
Christopher Hodapp and Alice Von Kannon: The Templar Code For Dummies
A comprehensive, highly readable survey of the Knights Templar in history and myth.
Desmond Graham: After Shakespeare
Contemporary incarnations of Shakespeare's characters in a series of terse, gritty, lovely poems.
Paul Davies: Cosmic Jackpot: Why Our Universe Is Just Right for Life
A new take on the "anthropic principle," suggesting that "life, and ultimately consciousness, aren't just incidental byproducts of nature but central players in the evolution of the universe." The Prospero's Books 2007 Book of the Year.
David Weinberger: Everything Is Miscellaneous: The Power of the New Digital Disorder
Though labeled as "Business," a philosophical look at the history of classifying things, and the ways classification is being changed by information technology.
Richard Dawkins: The God Delusion
A scientist's passionate effort to demonstrate "why there almost certainly is no God," fundamentally flawed by the author's insistence on defining religious language simplistically.
Michael Baigent and Richard Leigh: The Elixir and the Stone: The Tradition of Magic and Alchemy
From the Holy Blood and Holy Grail authors, a fairly objective (so far; I'm 100 pages in) history of Hermeticism.
Leonard Smith: Chaos: A Very Short Introduction
I love this series, so I was excited to see this book (the 159th) added. It's good writing, and Smith helpfully draws examples from a wide range of subject areas.
William Dietrich: Napoleon's Pyramids
A historical thriller, recommended by Jay, a regular reader of this blog. Thanks, Jay!
Rainer Maria Rilke: Rilke's Book of Hours
Anita Barrows and Joanna Macy's beautiful translation of one of my favorite books of poems.
Christopher Hodapp: Solomon's Builders: Freemasons, Founding Fathers and the Secrets of Washington D.C.
A witty and well-researched survey by my friend and lodge brother Chris Hodapp.
Colin McGinn: Shakespeare's Philosophy: Discovering the Meaning Behind the Plays
A philosopher's fascinating and clearly written review of six plays: Dream, the four great tragedies, and the Tempest.
Jeff Hoke: The Museum of Lost Wonder
A truly wonderful graphic book about life, the universe, and everything. Includes cut-out models. The Prospero's Books Book of the Year for 2006.
John Gross, ed.: After Shakespeare: An Anthology
A fascinating collection, with commentary, of "writing inspired by the world's greatest author."
Geoff Ward: Spirals: The Pattern of Existence
A survey of the spiral and its three-dimensional cousin, the helix, in art, ritual, life, the universe, and everything.
John L. Brown and Cerylle A. Moffett: The Hero's Journey: How Educators Can Transform Schools and Improve Learning
A call to educational reform, using the metaphor of Campbell's "monomyth."
Frances A. Yates: The Art of Memory
I can't believe I haven't read this before; it touches on rhetorical theory, the Western esoteric tradition, Freemasonry, and Shakespeare's theatre. And it's one of the Modern Library's 100 Best Nonfiction Books of the 20th Century.
Jill Line: Shakespeare and the Fire of Love
A study of Shakespeare's plays as reflections of Christian Platonism.
James Gleick: Chaos: Making a New Science
I've been rereading parts of this 1987 book, which first introduced the concept of chaos to a wide reading public. It's an even better book than I remembered.
Harold J. Morowitz: The Emergence of Everything: How the World Became Complex
A technical, but engaging, history of 28 emergences in the universe, including the Big Bang (#1), cells (#9), language (#24), and philosophy (#27).
Matthew Pearl: The Poe Shadow
One of the best detective stories I've read in years. Although I "read" it as an abridged six-hour audiobook while driving to Baltimore (where the story is set in the 1850s), I'm planning to read it again in unabridged print form just to savor the richness of its language.
Steve Berry: The Templar Legacy: A Novel
Though obviously written--or at least marketed--to capitalize on the DaVinci Code craze, this is a good thriller, with better character development than Brown's book.
Martin Lings: Sacred Art of Shakespeare: To Take Upon Us the Mystery of Things
An esoteric reading of Shakespeare's middle and late plays.
The Colours of Infinity: The Beauty, and Power of Fractals
A graphically beautiful collection of essays on fractals, with an included DVD of the 1995 "cult classic" film The Colours of Infinity.
Kurt Brown, editor: Verse & Universe
An astonishingly rich collection of poems about mathematics and science.
John Allen Paulos: Once Upon a Number: The Hidden Mathematical Logic of Stories
A mathematician explores the relationship between mathematics--especially statistics and probability--and narratives.
Fred Adams: Origins of Existence: How Life Emerged in the Universe
A physicist rhapsodizes (each chapter begins with a haiku) on the origins of life, from the Big Bang forward.
Rowan Williams: Writing in the Dust: After September 11
A meditation on being in New York on September 11, 2001, and the days after, by the current Archbishop of Canterbury.
Bernard Haisch: The God Theory: Universes, Zero-Point Fields, and What's Behind It All
An astrophysicist proposes an alternative to both dogmatic secular materialism and dogmatic religious fundamentalism.
Sandy Eisenberg Sasso: Naamah, Noah's Wife
A delightful children's book about the title character's efforts to save the world's plants as well as its animals.
Dava Sobel: The Planets
An entertaining history of humanity's relationship with the Solar System, "through the lens of popular culture."
Anthony Stevens: Jung: A Very Short Introduction
A highly readable introduction, part of a series I've found excellent before.
Kim Zetter: Simple Kabbalah
The best short introduction of several I've read, especially in this unabridged reading by Theodore Bikel.
Stephen Trimble: The People: Indians of the American Southwest
Recommended by my friend Jim Leehan, who works on the Navajo reservation, as background reading for our visit there.
Richard Smoley: Forbidden Faith: The Gnostic Legacy
An entertaining and engaging survey of gnostic traditions.
Joel R. Primack and Nancy Ellen Abrams: The View from the Center of the Universe : Discovering Our Extraordinary Place in the Cosmos
An astonishing effort to use myth and symbol to convey the state of current knowledge of the universe and humanity's "central" place in it.
Ervin Laszlo: Science and the Reenchantment of the Cosmos : The Rise of the Integral Vision of Reality
A readable essay on recent discoveries of interconnectedness among systems, with responses from thinkers from varied fields.
Stephen Greenblatt: Will in the World: How Shakespeare Became Shakespeare
A fascinating new life, drawing on a wider range of historical information than previous biographies.
Anonymous: Meditations on the Tarot
A profound modern classic of Hermetic Christianity.
Stephen Sicari: Joyce's Modernist Allegory: Ulysses and the History of the Novel
An illuminative reading of Ulysses based on Dante's concept of the "allegory of the theologians."