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  • In Shakespeare's The Tempest, Prospero, Duke of Milan, is ousted by his brother and exiled to an island. With the help of a friend, Prospero manages to take with him his beloved library.

    Prospero, like his creator, lived in a time when boundaries between disciplines were not as rigid as they are today. Prospero's books would have dealt with the cosmos—spiritual and material, inner and outer—as a whole.

    In this blog, I try to do the same. I'm not Prospero, just a student rummaging through his library and writing in the margins. Prospero's Books is a blog about seeing the world as a whole, by looking at

    • signs, especially the relationships between signifiers and what they signify
    • stories, especially big-picture stories, such as myths and the works of Dante, Shakespeare, and Joyce
    • systems, especially complex, nonlinear systems
    • spirit, especially as understood by the Christian and Western esoteric traditions

    Welcome! Please join the conversation.

    —Kenneth W. Davis

    (Note: Although I admire Peter Greenaway's film Prospero's Books, this blog is not directly about that film. )

    Who, and Some of What, I Am

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18 September 2007

Whence beautiful complexity?

Boxfittingprn At Gallery of Computation is a gallery of art works, by Jared Tarbell, that are uniquely generated by computer programs as you watch. They are stunning examples of a new level of artistic creation in which the artist does not create just one instance of beauty but instead creates a generative program that can produce infinite instances of beauty.

The fact that the each piece of artwork emerges from very simple rules makes the artist not less significant but more significant: not every set of simple rules produces something interesting, not to mention beautiful. If we glory in the infinitely complex beauty of Tarbell's work, how much more should we glory in the infinitely complex beauty of our universe, from subatomic particles, to us, to galaxies.

Whether we posit a creator behind that beautiful complexity (Freemasons refer to "the Great Architect of the Universe"), posit (with Tillich) a "ground of being" from which complex beauty can arise, or posit our universe as one particularly interesting instance among an infinite number of existing universes, the fact of our existence and the existence of beauty around us is surely worthy of adoration and gratitude.

(To see Tarbell's works, go to the Gallery of Computation. As words appear in the white space, try moving your cursor among them, clicking on them if you wish. Or click on "Thumbnail Gallery" to see a visual index. When you see a work you like, click on it. When you arrive at its page, you'll see a large static image of just one manifestation of the work. But don't stop there. Click on "Small," "Medium," or "Large" below the image and watch a unique art object evolve. Experiment with the sizes to learn which work best on your computer.)

(Thanks to Seed magazine for the lead.)

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