About this blog

  • In Shakespeare's The Tempest, Prospero, Duke of Milan, is ousted by his brother and exiled to an island. With the help of a friend, Prospero manages to take with him his beloved library.

    Prospero, like his creator, lived in a time when boundaries between disciplines were not as rigid as they are today. Prospero's books would have dealt with the cosmos—spiritual and material, inner and outer—as a whole.

    In this blog, I try to do the same. I'm not Prospero, just a student rummaging through his library and writing in the margins. Prospero's Books is a blog about seeing the world as a whole, by looking at

    • signs, especially the relationships between signifiers and what they signify
    • stories, especially big-picture stories, such as myths and the works of Dante, Shakespeare, and Joyce
    • systems, especially complex, nonlinear systems
    • spirit, especially as understood by the Christian and Western esoteric traditions

    Welcome! Please join the conversation.

    —Kenneth W. Davis

    (Note: Although I admire Peter Greenaway's film Prospero's Books, this blog is not directly about that film. )

    Who, and Some of What, I Am

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23 October 2007

Ultra Deep

Hubble_ultra_deep_field_from_wikipe The September-October 2007 issue of Utne includes an article that originally appeared in the July/August 2007 issue of Orion. In it, Anthony Doerr writes about the Hubble Ultra Deep Field image, which he calls "the most incredible photograph ever taken." Taken over several months in 2003 and 2004, the image is an incredibly "deep" high-resolution look at a tiny, tiny section of space. Doerr describes it as "like peering through an 8-foot soda straw."

Doerr says that the photograph "should be in every classroom in the world. It should be on the president's desk. It should probably be in every church, too."

He quotes Einstein:

To sense that behind anything that can be experienced there is a something that our mind cannot grasp and whose beauty and sublimity reaches us only indirectly and as a feeble reflection . . . . this is religiousness.

Doerr concludes

Whatever we believe in--God, children, nationhood--nothing can be more important than to take a moment every now and then and accept the invitation of the sky: to leave the confines of ourselves and fly off into the hugeness of the universe, to disappear into the inexplicable, the implacable, the reflection of that something our minds cannot grasp (92).

(I just noticed that last year I posted a quote from Chet Raymo about the same image.)

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